This sculptural ceramic object explores the tension between geometry and the hand. Planes fold and tilt in quiet dialogue, forming a vessel that feels both architectural and organic. Glazed in a deep amber mineral wash, the surface carries subtle tonal shifts and fine speckling from the kiln— a record of heat, movement, and time.

Wheel-thrown and hand-altered, its softened edges and pinched angles hold the memory of touch, while the central aperture invites use as a functional form — for stems, utensils, or quiet moments of containment. At once utilitarian and expressive, this piece inhabits the space between object and abstraction.

One of a kind.